If everybody who plays sessions would be so nice to tell us which high D whistle they mostly use in a session, we could get a nice overview and an idea which to buy ourselfs.
Cheers
Tell us something.: To paraphrase Mark Twain, a gentleman is someone who knows how to play the spoons and doesn't. I'm doing my best to be a gentleman.
Tell us something.: Whistle player, aspiring C#/D accordion and flute player, and aspiring tunesmith. Particularly interested in the music of South Sligo and Newfoundland. Inspired by the music of Peter Horan, Fred Finn, Rufus Guinchard, Emile Benoit, and Liz Carroll.
After playing this thing for 6 weeks, I'm still quite fond of it. But when I really need to be heard (I'm leading a tune, or there's a lot of loud instruments) I'll pull out the Silkstone Alloy D.
A John Sindt D or a Grinter (wooden) D. I got a whistle recently from Paul Busman. I think when I have it blown-in that'll be the one (unless you have to sit next to a box player and then the TW is your only man).
Tell us something.: A long time chatty Chiffer but have been absent for almost two decades. Returned in 2022 and still recognize some names! I also play anglo concertina now.
A feadog with a Mack Hoover white plastic head that I bought for $10 from a board member. Love it! Sounds like a laughing but with much more volume. Even lets me cross finger as OXXOOO or OXXXOX whenever I like.
Busman D....
Actually, whenever I have a whistle or 2 finished I like to take them to sessions and really give them a good workout. Sometimes, this suggests a little tweak or 2. I also like to have other good players give them a try so I can hear what they sound like from the other side of the mouthpiece.