AKA Nantoka wrote:
as I see it, Pakistani flute makers, like flute makers anywhere, should have the opportunity to strive for success but the headline of this post is not going to encourage them at all to keep honing their craft.
If they truly cared, one would think and hope that the thread topic would in fact have the opposite effect - I'm sure that the Pakistani concerns don't live in a vacuum - but this is a matter of long years' running, and it is known that your average Pakistani flute is mass-produced. In fact, the trad flutes appear to be worse than ever, so I suspect that profit, more than true craft, is the general watchword. Let them actually bother themselves to produce good flutes for a change, and I'll shift my opinion, and applaud them for it.
From the Hakam Din website Dana provided a link to:
Quote:
But progress does not always mean change.
It's things like that that that are revealing, I think.
Nevertheless, the wood flutes on that website
appear to be a cut above if you don't look too closely. But I'm not willing to shell out just for an experiment after my own experiences, and I've dealt with that exact same keywork before. I disliked it; clunky, effortsome to use, and the plating started coming off in papery flakes if I just looked at it. By the way - the key plating is listed as silver. It's not. It's chrome, or something very like it.
The point of this is that if they're aware of their disservices to fluteplayers but don't change for the better, then they just don't care. It's up to us to tell the truth until they do.
If our telling the truth makes a disincentive to them to improve, they have no business making instruments, or at least making public claims to "high quality".