Casey Burns wrote:
I find the slightly ovalized bores of flutes play and feel more lively than a perfectly round bore. In the modern flute industry some makers slightly squeeze the tubing for this effect.
Thanks Kevin for the machining etc. sheet. That will be useful.
Casey
De nada.
I did searches on the guitar forums, etc. and there seem to be no particular problems with Richlite, other than lack of color stability (some graying over time, restored by wiping with oil). Possible easier fracturing/splintering, so may not be as robust as Delrin if dropped. Repair technicians doing neck resets have had some burning/bubbling of the Richlite with contact by hot lightbulbs, but otherwise have been good with steaming & heat blankets to approx. 350 degrees F. Some references to being careful with oils, as some apparently not best for fretboard use. There are paper/resin products from other companies that do show streaks/patterns on sanding as they may have paper layering, at least towards the surfaces of the materials, and you can wear through those. Richlite is claimed to be all from ground wood pulp, so does not appear to be a factor with that.
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