Is it? I must have been reading it wrong. I told you I wasn't very good at tab.Peter Duggan wrote:The tab's in a different key. The notation's in A minor* and the tab's in E minor*. (*Aeolian.)
Not wrong, just different
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Re: Not wrong, just different
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Re: Not wrong, just different
I would say this one is gimmicky because the first part is less of a melody than it is riffing on on a chord progression, which is not how traditional tunes are constructed, for one thing, and for another, the sequence of chords stated (Am-F-G) really belong in rock music rather than in trad. (Anyone who has ever strummed a guitar has discovered that the Am-G-F sequence underlies a barrowload of songs and ridiculously easy to jam/blow/wail away on top of.) Using it in a trad context is just a cheap thrill.Polara Pat wrote:Just curious (like a new born baby) what constitutes a gimmicky tune?
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Re: Not wrong, just different
This is a brilliant fix for the first part -- now I want to find a decent tune with that pattern in it -- but doesn't help with the F-natural roll (followed by E and F-natural again, double ugh) in the second part. I can remember pre-teen Sean Gavin celebrating in delight because he figured out how to do an F-natural roll on whistle, but I've not the slightest clue how he actually did it.StevieJ wrote:In the second bar, once you have established your F-natural on the long first note by half holing, thus (v indicating the half-covered hole):
[| xxx xvo]
then leave the first and second fingers of your bottom hand where they are while you play the remainder of the bar. This gets rid of the difficulty of hitting the F-natural accurately in the "pedal" bits.
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Re: Not wrong, just different
Alright, just to get back on track, my buddy plays this one in D minor on his B/C box. So that's what I'll have to try and match.
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Re: Not wrong, just different
C whistle with the E minor fingering (tab) or F whistle with the the A minor fingering (staff notation).
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Re: Not wrong, just different
Thanks Peter. I actually thought that I would need to find different music than what I had shown earlier. C whistle would be great and dumb question number 743, is the fingering tabs that I posted in E minor? I should probably know these things but I don't.Peter Duggan wrote:C whistle with the E minor fingering (tab) or F whistle with the the A minor fingering (staff notation).
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Re: Not wrong, just different
Yes. It's technically Aeolian mode because there's no sharpened seventh, but most people just call it minor. So playing your tab on a whistle pitched a tone lower (i.e. C rather than D) will give you the same drop to D minor.Polara Pat wrote:is the fingering tabs that I posted in E minor?
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Re: Not wrong, just different
CheersPeter Duggan wrote:Yes. It's technically Aeolian mode because there's no sharpened seventh, but most people just call it minor. So playing your tab on a whistle pitched a tone lower (i.e. C rather than D) will give you the same drop to D minor.Polara Pat wrote:is the fingering tabs that I posted in E minor?
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Re: Not wrong, just different
Keep in mind that putting in rolls is up to the discretion of the player. So you can put in a roll where you want, and do an alternative to a roll where you want.colomon wrote: the F-natural roll
Nevertheless it's easy to do a roll-like thing on F: play a pair of cuts rather than a cut and a pat. It's the same sort of thing you'll hear many players doing on D.
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c1980 Quinn uilleann pipes
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Goldie Low D whistle
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Re: Not wrong, just different
F-natural "cran", that's easy enough all right! Nice.pancelticpiper wrote:Nevertheless it's easy to do a roll-like thing on F: play a pair of cuts rather than a cut and a pat. It's the same sort of thing you'll hear many players doing on D.colomon wrote: the F-natural roll
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Re: Not wrong, just different
Well not a cran per se, which would have three cuts, but a roll with two cuts rather than a cut and a pat:colomon wrote: F-natural "cran", that's easy enough all right!
XXX XDO
OXX XDO
XXX XDO
XXO XDO
XXX XDO
in other words the low-hand finger positions don't change, in like manner to when you're doing the "rocking" phrase, moving upper-hand fingers but leaving the lower-hand fingers the same.
The two cuts could be any upper-hand notes in any order. The important thing is the timing.
Richard Cook
c1980 Quinn uilleann pipes
1945 Starck Highland pipes
Goldie Low D whistle
c1980 Quinn uilleann pipes
1945 Starck Highland pipes
Goldie Low D whistle