Ornamentation - regional variation?
- myles
- Posts: 196
- Joined: Wed Nov 07, 2012 1:57 am
- antispam: No
- Please enter the next number in sequence: 10
Re: Ornamentation - regional variation?
I suspect that 'regional variation' of this type - before the time of recording anyway - is better thought of in terms of the concept of gharana or 'lineage' seen in Indian music. A 'regional style' might therefore simply reflect the teaching influence of particular local musicians over several decades without needing to go too much into questions of national or religious musical preferences.
Re: Ornamentation - regional variation?
am I right in thinking that 'jockey to the fair' is an English tune adopted for the pipes by leo rowsome and referred to as a set dance in irish music? it's a lovely tune wherever it originated, and is on my list of tunes to work on
Re: Ornamentation - regional variation?
Ultimate origin. Who knows? It's a Morris dance tune too. Leo could have just picked it up out of O'Neill's or Roche's.
Traditional Tune Archive says:
First printed source is Aird (Selections of Scotch, English, Irish and Foreign Airs, vol. 2), 1785
The melody, dating at least from the mid-18th century, was a popular tune throughout England and served several functions, including dancing and marching. Morris dance versions are wide-spread and numerous and have been collected from the villages Adderbury, Ascot-Under Wychwood, Bampton, Bledington, Brackley, Ducklington, Headinton, Longborough, and Sherborne areas of England's Cotswolds. In the north, the title appeared in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800. One version of the tune was used as a march in the British army during the Revolutionary War period (Winstock).
Traditional Tune Archive says:
First printed source is Aird (Selections of Scotch, English, Irish and Foreign Airs, vol. 2), 1785
The melody, dating at least from the mid-18th century, was a popular tune throughout England and served several functions, including dancing and marching. Morris dance versions are wide-spread and numerous and have been collected from the villages Adderbury, Ascot-Under Wychwood, Bampton, Bledington, Brackley, Ducklington, Headinton, Longborough, and Sherborne areas of England's Cotswolds. In the north, the title appeared in Henry Robson's list of popular Northumbrian song and dance tunes ("The Northern Minstrel's Budget"), which he published c. 1800. One version of the tune was used as a march in the British army during the Revolutionary War period (Winstock).
- an seanduine
- Posts: 1997
- Joined: Sun Sep 13, 2009 10:06 pm
- antispam: No
- Location: just outside Xanadu
Re: Ornamentation - regional variation?
PhilD you might look at a youtube presentation http://www.youtube.com/watch?v=1BPMSLeAgHI about Jonathon Swayne, a maker of Borderpipes, and a member of Blowzabella, who is actively developing a working modern set of Pastoral Pipes after a set by Hugh Robertson found in the Belgian Museum Conservatory. This along with Geoghegan's Tutor may shed some light on your interest.
Bob
Bob
Not everything you can count, counts. And not everything that counts, can be counted
The Expert's Mind has few possibilities.
The Beginner's mind has endless possibilities.
Shunryu Suzuki, Roshi
The Expert's Mind has few possibilities.
The Beginner's mind has endless possibilities.
Shunryu Suzuki, Roshi