Whatever tutors you choose, be sure to spend a lot of time practicing and a lot less time on the internet. Forget about TV. You want to be a piper, right?
What really needs to be emphasized to all beginners, and I don't say this to sound mean and grumpy, is "No tutor or instructor is going to make a piper out of you. The only person who can make a piper out of you is yourself". If you don't practice, all you'll have is an expensive bundle of sticks.
I should add that a properly set up chanter and reed combination helps this process immensely. Your reed should be easy to blow so your hands can stay relaxed. "Death grip" will prohibit you from ever being able to play musically. The first octave notes should not require a tremendous effort once you've been playing for a while. The leap to the 2nd octave should require no more than a 20-30% increase in bag pressure. Otherwise, it is too difficult to obtain or maintain the second octave and your playing will suffer.
That being said, you still have to learn to play the bag! The BAG controls the air to the reeds, not the bellows, and you must learn to control the air pressure in the bag.
You must learn to pump the bellows when the bag needs more air, INDEPENDENTLY of what is happening with your hands on the chanter, and you must also learn to think ahead so that there is sufficient air in the bag for passages that use lots of air.
The bag/bellows are not used to keep time, and you cannot play the pipes musically by pumping the bellows every other note; you have to train your bag arm and strengthen it without allowing the tension from pinching the bag to creep down into your forearms, wrists, and fingers. The same is true of your bellows arm.
Learn to hold the chanter correctly-do not arch the fingers, and above all do not hold the chanter with a "death grip"! Your hands will feel weak and awkward at first. This is normal.
Listen to recordings as much as you practice. Get a lot of solo piping recordings from the old guys (Willie Clancy, Seamus Ennis, Leo Rowsome, and the Dorans in particular) and the best modern players, like Brian McNamara, Jimmy O'Brien-Moran, Mick O'Brien, Paddy Keenan, Robbie Hannan, Ronan Browne, Tommy Keane, Leo Rickard, Kevin Rowsome, and Gay McKeon. Their CDs have a lot to teach about repertoire, technique, variations, and phrasing. Try to get to Willie Clancy Summer School and don't skip class to go sightseeing. Take another week's vacation for that, if you want. If you go, be sure to practice a lot while you're there-don't spend your whole stay boozing and taking pictures! Record the lunchtime recitals as well as you can. Sometimes it's hard work but you'll be a better player for it.
Try to limit your initial repertoire to just a few tunes and really polish your technique before you move on to new material.
Hope this is helpful. Sorry if I sound like a scottish pipe major. It's a tough instrument and irish music is very unforgiving. Work at it though, and your practice should be rewarded. It's up to you to decide if it's worth the trouble. I enjoy it, although it takes a lot of my time and energy.
Patrick
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