I'm not familiar with those uilleann setups, but I used to play NSP, where they switch the drone tuning to match the tune they're playing.
There's always three drones, playing the fundamental, the 5th, and the octave of the fundamental, so DAd for tunes in D.
Of course uilleann pipers play tunes in E minor over D drones all the time, but in Northumbrian piping you adjust the drones to play EBe for tunes in E minor.
Personally doing that doesn't seem to fit the Irish tradition of having the D drones regardless what key the tune is in.
I suppose personally what might be cool is a separate Baritone drone capable of playing either A or G, which could be shut off when you don't want it.
About the tuning and adjusting, at least with the NSP I had that wasn't an issue, because the drones had metal reeds which always stayed in tune, never needed adjusting. For the different notes you would open an extra hole on the side, which always was in perfect tune.
_________________ Richard Cook 1978 Quinn uilleann pipes 1945 Starck Highland pipes Goldie Low D whistle
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