Yeah, I'm leaning in this direction. The more I play the real flute, the less I enjoy playing the plastic one, even though I'm still struggling to really feel comfortable with the weight and balance of the wooden one. I also really miss being able to just grab the plastic flute from it's flute stand to play whenever which I delrin would be OK to leave like that, I think.johnkerr wrote:Many (probably most) flutes that are 150 years old were not made to play at A440 with the tuning slide at the optimal position, i.e. that position at which the internal tuning remains true note-to-note, given of course the temperament in vogue at the time of making, which may have been equal or maybe not. Who knows? The flute, assuming it still plays (which is what the Olwells did for you) can be made to play an A at 440 by adjusting the tuning slide. But then the internal tuning will be out of whack. An experienced player will eventually learn how to lip all the notes (mostly) in tune internally with the slide at the A440 position, but it takes a while. Perhaps years. Best not attempted via weekly attendance at your local session, unless the other players are very, very forgiving.
My advice then would be to play this flute at home, while you learn how to lip all the notes in tune at the A440 position or simply find the original sweet spot on the slide and enjoy playing it by yourself at that position, and find another flute to play with others in the interim. Your best bet for that would of course be a modern flute.
If I were to place an order with Copley or someone like that, should I opt for similar embouchure and finger holes or should I go with the larger sized holes (pratten style?) like the plastic flute I am most used to from the plastic flute? It seems wise to avoid mixing the two when you are learning...but you never know.