Tonewood

The Chiff & Fipple Irish Flute on-line community. Sideblown for your protection.
Post Reply
Stuporman
Posts: 88
Joined: Tue Sep 11, 2007 9:20 pm
antispam: No
Location: New York

Tonewood

Post by Stuporman »

jim stone
Posts: 17190
Joined: Sat Jun 30, 2001 6:00 pm

Re: Tonewood

Post by jim stone »

Very interesting, very cool.
Andro
Posts: 193
Joined: Sun May 06, 2018 1:37 am
antispam: No
Please enter the next number in sequence: 8
Tell us something.: Beginning flute and whistle player. Starting out seriously in Irish Traditional Music. Also interested in flute making.
Location: Melbourne, Australia

Re: Tonewood

Post by Andro »

There are many engineered woods available already. This new one does not seem to be in full production yet, if at all. It's apparent that woodwind instrument makers don't look into this sort of material, probably because there are plenty of excellent woods available already. Some people are using heat treated wood such as maple (e.g. Windward), some microwave Boxwood with apparently good results, and some use resin cast bores (Reviol). But centuries of making have established the suitable woods, and I don't think these engineered woods go sufficiently past the normal materials to be of much interest, and also, we have no data on the longevity of this stuff.

There are lots of great tonewoods for flutes that are not endangered. For example, Gidgee in Australia, a fantastic woodwind material.

Nevertheless, an interesting article.
PB+J
Posts: 1307
Joined: Sun Mar 25, 2018 5:40 am
antispam: No
Please enter the next number in sequence: 8
Tell us something.: I'm a historian and the author of "The Beat Cop:Chicago's Chief O'Neill and the Creation of Irish Music," published by the University of Chicago in 2022. I live in Arlington VA and play the flute sincerely but not well

Re: Tonewood

Post by PB+J »

It's interesting the way they just talk about "wood" in that article. I mean there are lots of species with different physical properties and I have to think they would all respond to the process differently? If you do this to, say, mahogany do you get a smooth surface that doesn't need grain-filling? One of the articles mentions that at 95% humidity it starts to swell, so it sounds like it would have the same problem of wet inside/dry outside. I wonder if strength would include resistance to splittng/cracking along the grain?
User avatar
RoberTunes
Posts: 326
Joined: Tue Oct 01, 2019 3:33 pm
antispam: No
Please enter the next number in sequence: 8
Tell us something.: I am a flute, guitar, keyboard + whistle player learning about quality whistles, musical possibilities and playing techniques. I've recorded a CD of my own music and am creating music for kids.
Location: North America

Re: Tonewood

Post by RoberTunes »

In maybe 5 years we may see new hemp fiber woods available for many more uses. They're starting to use some hemp board for construction but this tech is early in use and I've only seen hemp board that looked like wood, in the last year or so. I'm taking an inspired guess and say that due to it probably requiring some portion to be a binding adhesive, it might be a very tough fibre with natural resonance in the upper frequencies, like ash, but maybe not as high as maple. Easier to imagine that as a guitar, but for a flute or whistle, only time will tell will tell how it could sound.
Post Reply