Your next Bagpipe adventure
- CHasR
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Your next Bagpipe adventure
Which pipe yould you most prefer to take up next? (sorry, you can only pick one)
We're talking 'wish-list' here, assume money and time are no obstacle,
One caveat:
Say, for instance, you play Border pipes in Bb, then choosing Border Pipes in D would not be an option. Pick a pipe you DON'T already play; but would LIKE to....
If you dont see your particular dream-pipe here, then tell us in a post + I'll make another poll to include it (if allowed) as one can only submit so many choices.
(Sweedish, Hungarian, Czech, Bulgarian, etc all got bumped...)
Ive tried to group them as close as I can...
We're talking 'wish-list' here, assume money and time are no obstacle,
One caveat:
Say, for instance, you play Border pipes in Bb, then choosing Border Pipes in D would not be an option. Pick a pipe you DON'T already play; but would LIKE to....
If you dont see your particular dream-pipe here, then tell us in a post + I'll make another poll to include it (if allowed) as one can only submit so many choices.
(Sweedish, Hungarian, Czech, Bulgarian, etc all got bumped...)
Ive tried to group them as close as I can...
- The Sporting Pitchfork
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- wgority
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I had to pick Zampogna (which I really do want to learn to play someday) because I already play all the rest...........
Pipers Gathering--More Fun, More Music
August 1-4, 2008 in Killington, VT
http://www.pipersgathering.org
August 1-4, 2008 in Killington, VT
http://www.pipersgathering.org
- pancelticpiper
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- Tell us something.: Playing Scottish and Irish music in California for 45 years.
These days many discussions are migrating to Facebook but I prefer the online chat forum format. - Location: WV to the OC
- CHasR
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I kept trying to add more options, + wouldnt post...pancelticpiper wrote:My latest adventure has been Julian Goodacre's Cornish Double Pipes (which kinda fits in your Ren revival category, but is completely different from what most Ren guys play). But true, I don't see gaida there...
altho, there seems to be a LOT of interest in NSP....
- AaronMalcomb
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To get the true GHB tuning experience, change your tuner settings every 10 minutes.OnlyAnEgg wrote:I have a tuner on my pc to train my pitch...
Just kidding but actually GHB players exist in a range of tuning. Practice chanters are usually a few cents sharp of A=440, solo pipes are often in the 472-476 range and band pipes go up from there to 482 on a hot day.
Once you find a teacher you'll get sorted. Whereabouts in Ohio are you?
I didn't answer the bagpipe poll because I'm exercising my will power.
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- OnlyAnEgg
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I'm east of Columbus about 20 miles or so, in Newark.AaronMalcomb wrote:To get the true GHB tuning experience, change your tuner settings every 10 minutes.OnlyAnEgg wrote:I have a tuner on my pc to train my pitch...
Just kidding but actually GHB players exist in a range of tuning. Practice chanters are usually a few cents sharp of A=440, solo pipes are often in the 472-476 range and band pipes go up from there to 482 on a hot day.
Once you find a teacher you'll get sorted. Whereabouts in Ohio are you?
I didn't answer the bagpipe poll because I'm exercising my will power.
Oy! The first day with the chanter! I've never blown a double reed before. I thought I'd pass out! My daughter came over (she's 14) and played a scale on it and every time she blew a note, I made a farm animal sound. So, it's (as I knew it would be) music AND fun
Helloooooo, Chieftans!
Helloooooo, Brak!
Helloooooo, Brak!
- AaronMalcomb
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Mr(s). Egg, I sent you a PM.
I went ahead and voted for uilleann pipes though that is going to be a ways down the road. My second choice would be a Breton bagpipe, most likely veuze since I don't think I could get my big mitts to play that tiny biniou kozh chanter.
I don't know about some of the cornemuses du centre or the medieval/renaissance pipes but the majority of the pipes listed have double reeds in the chanter. Maybe that could be a way to qualify the poll a bit better: double reed family v. single reed family.
I went ahead and voted for uilleann pipes though that is going to be a ways down the road. My second choice would be a Breton bagpipe, most likely veuze since I don't think I could get my big mitts to play that tiny biniou kozh chanter.
I don't know about some of the cornemuses du centre or the medieval/renaissance pipes but the majority of the pipes listed have double reeds in the chanter. Maybe that could be a way to qualify the poll a bit better: double reed family v. single reed family.
- CHasR
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CDC's , to the best of my knowledge, are all DR chanter, SR drones; including Cabrette, Chabrette, Chabra, Bechonnet, Nivernais, Limousin, Bourbonaisse, Mayonaisse, oopsAaronMalcomb wrote:Mr(s). Egg, I sent you a PM.
I don't know about some of the cornemuses du centre or the medieval/renaissance pipes but the majority of the pipes listed have double reeds in the chanter. Maybe that could be a way to qualify the poll a bit better: double reed family v. single reed family.
Medi/Renn pipes tend to be 'western-euro' in design, (DR chanter, SR drones) but there are exceptions, I'm sure. SR chanters are firmly in the eastern-euro family of pipes. If Yuri's watching this he's more knowledgable than I about the varieties of Medi/Renn pipes around today.
never handled a BiniouKozh, eh? We'll have to remedy that somehow...
- Yuri
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Well, the Mayonnaise pipes (and pies) are really good for the mediaeval repertoire.
Theing is, no-one really knows just what went on in mediaeval times. Recently in France they excavated a 10th c. town, that was built on the shores of a lake, and due to global warming in the 10th c. it got flooded. (I'm actually not kidding) So what do they find? A what is now classified as a bagpipe chanter, it's double, with fingerholes on one bore only, in short the same (in principle as the boha of France, and also the Hungarian duda and related thingies. Also the Basque alboka and all the North African pipes)
What I'm getting at is that while since the Renaissance you can broadly divide pipes as DR chanter/SR chanter, it's a moot point whether it was always so. Swedish pipes spring to mind as well. Also one of the very oldest pipes in existance is a Czech set dated to 1527 if I remember rightly. So Czechia is E. Europe, right? Well, have a look on the map. It isn't. Just so happens that the Soviet Union occupied it during WW2, that's all. Praetorius writes about the Bock, that's the Czech duda exactly. (he doesn't actually specify the reeds for the Bock, but it just too similar to the duda to mistake.)
And then there is the Zampogna and related ones, like surdelina. They seem to have had sort of interchangeable reeds, and they are ancient, aren't they, Charlie? When I listened to a recording of the Sardinian launeddas (unbroken history of at least2700 years), I was struck by the similarity of the music to that of the Zampognia.
Then the Welsh double chanter, but I think I made my point, however hazy it is.
Theing is, no-one really knows just what went on in mediaeval times. Recently in France they excavated a 10th c. town, that was built on the shores of a lake, and due to global warming in the 10th c. it got flooded. (I'm actually not kidding) So what do they find? A what is now classified as a bagpipe chanter, it's double, with fingerholes on one bore only, in short the same (in principle as the boha of France, and also the Hungarian duda and related thingies. Also the Basque alboka and all the North African pipes)
What I'm getting at is that while since the Renaissance you can broadly divide pipes as DR chanter/SR chanter, it's a moot point whether it was always so. Swedish pipes spring to mind as well. Also one of the very oldest pipes in existance is a Czech set dated to 1527 if I remember rightly. So Czechia is E. Europe, right? Well, have a look on the map. It isn't. Just so happens that the Soviet Union occupied it during WW2, that's all. Praetorius writes about the Bock, that's the Czech duda exactly. (he doesn't actually specify the reeds for the Bock, but it just too similar to the duda to mistake.)
And then there is the Zampogna and related ones, like surdelina. They seem to have had sort of interchangeable reeds, and they are ancient, aren't they, Charlie? When I listened to a recording of the Sardinian launeddas (unbroken history of at least2700 years), I was struck by the similarity of the music to that of the Zampognia.
Then the Welsh double chanter, but I think I made my point, however hazy it is.