I just checked out his album on CD Baby: Damien Connolly: Tippin' Away. Nice stuff, there are seven 2-minute samples. You can hear several different-sounding boxes. I even like the guitar by Pete Mancuso, subdued and textural, a far cry from the chord-banging I usually hear.

He plays B/C. Made by his da.

Yes, lovely people the pair of them, and their baby is cute too!

PS The last sentence is not meant to imply that he had a baby with his father... "they" refers to Damien and his wife.

oh, my god. here is a clip from the upcoming cd by christy mcnamara, east clare box player and photographer. this is....liquid velvet----it seems to just start playing on the home page of his new site and is a "duet" of him playing accordion and also playing concertina.....liquid velvet, straight outta east clare:

http://www.christymcnamara.com

Thanks for that, ceemonster. Last night I was trying unsuccessfully to recall how the tune "The Fair-haired child" from the Lonely Stranded Band record started. And there it is, third tune in that set played by Christy M, with the same instrumentation to boot.

Some wonderful photos there too.

Damien's CD arrived yesterday and I'm enjoying it mightily. The main revelation is that although Damien is known as a B/C player, and the Kincora box he is using for the most of the cuts is a B/C, he is in fact playing most of the album C#/D style - with the D tunes coming out in C, and so on.

This sounds beautifully mellow, of course but it would appear to be another sign of the drift away from the dominant B/C style. (He's not the first young B/C player I've heard doing this recently.)

There are a few tracks, mostly Quebec tunes, played on a D melodeon and in the liner notes Damien says he studied "the intricacies of melodeon playing" with Sabin Jacques, a great player who lives a few minutes away from me.

Cracking record at all events.

oh, that is fascinating---above, while trying to figure out who this was, i was musing that it had a c#/d-esque rhythm to it, and later was asking myself....gee, but isn't damien connolly b/c???????this explains it....

You could say there's a mix of B/C and C#/D style playing on the record, with C#/D slightly predominating I would say.

Or you could just say this is what happens when players get really good at the box - they are equally at home in both ranges of keys and play a tune in one or the other to suit their mood, or the tune. On some of the sets Damien switches from "C#/D fingering" to "B/C fingering" for an unusual key change (e.g. The watchmaker in Gm rather than Am, followed by Callaghan's ("Now she's purring") in the usual G.

Must be nice to have that complete freedom... something to work towards anyway.

The five tracks on four-voice Quebec-style melodeon I could have done without, mainly because I hear enough of that style around here pretty regularly. He makes a very convincing job of the Quebec style though and I must say that the two Irish reels he plays on the one-row to finish the album make a glorious racket.

The real showpiece is the Edith Piaf waltz, La Foule, on which Damien succeeds in creating the illusion that he's playing, not a 2-row diatonic but a big continental chromatic box - a real tour de force. (Even if it's a bit of an old chestnut - my wife, a Frenchwoman, laughed out loud as soon as she heard the first couple of bars, and then proceeded to sing along with the whole thing...).

Funny thing about waltzes - when I first started the box I thought that trying to play reels on it was madness. (Another beginner asked me after a few weeks which I found easier, jigs or reels, and I replied, waltzes!) Three years on reels are no longer impossible, but I find that every box player who has mastered them needs some fancy waltzes to test their virtuosity. Rather like the way top fiddlers feel obliged to play Sean Maguire style hornpipes, reels no longer presenting a challenge. Except that I much prefer the waltzes...

Back to reels - I'm very partial to the tune Miss Langfort so here's a snippet of Damien playing it, followed by two other box players. The last one should be easy to guess, but who's the one in the middle? Don't answer if you have the old LP it was taken from....

Three squeezes on Miss Langfort.

Now that is good stuff. I've fairly recently begun to realize the beauty of Irish box playing and this is some of the nicest I've come across so far. Thanks for that.

_________________
Ramzy Berbawy

I think there's just one kind of folks. Folks.
-Scout Finch

Damien Connolly here. I was told about this chat just recently at the Catskills, so I thought I'd visit. It is interesting to read the various comments. Thank you all for your commendations. I am quite flattered. Nice to hear some positive things about the box every now and then :)

Next year I am publishing a book on how to play the Irish Accordion, with info in there for B/C and C#D players. I hope it will serve the box community well.

Best

Damien Connolly

Heya Damien... You've got quite a tremendous memory. When I told you about "chiff" and "fipple", and you were not quite sure about what both words meant, I thought you'd never remember any of this

By the way Damien if you email/PM me your address I can send you the amazing recording of the Cd release/listening session with Tim Collins and Brian McNamara, with the Kane sisters, Edel Fox, Mary Bergin, Michael Rooney & June McKormack and Mike Rafferty. I'm sure you'd enjoy.

Hello Damien,

It was great hearing you again in the Catskills - on fiddle too! And I'm glad you had the idea of putting some stuff for C#D players into your book.

If you feel so inclined, don't be shy of sharing your wisdom around here, either. There may be some one-eyed men in this particular country of the blind but we could all benefit from the knowledge of someone with your vision and talent.

Cheers
Steve

i confess that i did my part in the catskills last week to blab to damien about certain internet discussions regarding his wonderful playing! see, damien, i told you you had a coterie of admirers! btw, i loved your playing in the smaller tent at the saturday festival, plus your story about your dream in which EVERYTHING was playing music, including the diaper!

If there's anything I can help with, let me know. I'm not too sure how much can be explained over the internet, in terms of writing only, but I'd try.

damienjconnolly@hotmail.com

I'd love to get that recording too!