Oh, what the heck.
"BAVARIO" WITH THE MUNICIPAL SUCCESS
Against the borders, the Music...
Thanks to the initiative of the Municipality of Tunis and that of the Goethe-Institute, the German musical group "BavaRio" occurred saturdays November 20 with the Municipal Theatre of the town of Tunis. It was an invitation open to all the amateurs of the German culture but also to all those which have the love of the Music and the availability of opening on the Other... Qualities likely to join the four ends of the world.
As its name indicates it ("Dribble-Rio)", this group is composed artists, ambassadors of two different cultures. Germany and Brazil. First is represented by Wolfgang Netzer, the type-setter of "BavaRio" which plays "Cavaquinho", guitars and percussion, Martin Kerber handling the zither, the accordion, the trumpet and the horn, Andreas Kerber playing to him, with the guitars, flutes, sax, horn, clarinets and accordion. As for the second cultural shutter, it is represented by Marcio Alves, Brésilien of birth, it plays the percussions and drums. But it also sometimes happens to him to sing... And it was the piece with which one inaugurated the spectacle...
A two hour old spectacle and which was baptized "Baraba". It is also the title of the fourth and last CD of the group which one drew the concert. This title, with a little odd sonority, is a dialectal term which is used to designate a foreigner. It is also a pun copulating "berber" and "araber", the German equivalent of "arabe ".
They are here elements which direct, already, on the style and the musical bias of the group. Especially if the fact is added to them that the founder of the group, Wolfgang Netzer, made a stay with Istambul and was influenced by his Eastern melodies.
Thanks to various kinds of musical instruments which, more is, miss neither of picturesque nor of originality compared to the instruments that we are accustomed to see, "BavaRio" carried out several pieces. To know: "Hundling" (dialectal term which wants to say a man worthy of respect"), "Vui Schlange" (literally: many snakes), a rather special piece with its melody "crawling" and consequently very suggestive. And it is a piece which goes back to a stay of Netzar with Istambul besides...
One also carried out "Alpeuwalzer", the waltz of the Alps, a piece which is based especially on the music produced by an enormous instrument with "Fünfal" (literally five times), we have of a changed blow of course, to appreciate the Arab music associated with the melodies which are foreign for him. It is the product of the drive of Walfgang on the oud in Turkey...
"Maracatu" takes us along, as for him, to Africa, that of 1538, when the slaves of Africa unload in Récife, in Brazil, and that little by little settle in the country and a process of opening and enrichment of the cultures, the Maracatu rate/rhythm becomes the ceremony of the crowning of a King or a queen...
And it was a very beautiful spectacle summons some which knew to grow rich thanks to its opening on the musics by the world... By Germany in Brazil, of the East in Africa, the correspondences are tasty and harmonious but especially, the voyage is possible and licence. The best of the voyages!
It is perhaps incredible, but it should have been listened to to judge by oneself the facility and the delight of such a music, of so much of voyages...
Asma GUEZMIR
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