Tenor Banjo: Plectrum Thickness

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alurker
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Post by alurker »

I have recently been trying out the pink coloured 0.45mm Dunlop Tortex and I like it a lot. I guess this puts me even more at odds with the people here than I was with my .5mm. :lol: A scraping sound is down to bad technique and occurs when the edge of the pick slides along the string. In my experience there is more of a tendency for that to happen with a thick pick as the string tends to bend around the pick rather than the other way around. For a crisp sound the pick needs to attack the string at a 90 Deg. angle or close to it.

How about we all post samples of our triplets in the clips and snips forum and whoever can produce the fastest triplets wins the debate. :D
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buddhu
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Post by buddhu »

These days, sound clips are no more trustworthy than photos... So many of us have PhotoShop and Audacity! :D :wink: :D
And whether the blood be highland, lowland or no.
And whether the skin be black or white as the snow.
Of kith and of kin we are one, be it right, be it wrong.
As long as our hearts beat true to the lilt of a song.
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alurker
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Post by alurker »

The banjo players Code of Honour would naturally apply. :D
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Ro3b
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Post by Ro3b »

I like either tortex or Clayton "Black Raven" picks in .50 gauge on both tenor banjo and acoustic rhythm guitar. Our local banjo guru Patrick Cavanagh turned me onto the Claytons -- they're a little stiffer than the tortex, so they sound less flabby. For melody playing on guitar, I like Dunlop nylons in .88 or 1 mm. My absolute favorite pick on the mandolin is the Dunlop Jazztone 204. I couldn't do triplets worth a damn till I started using those. They don't work so well for me on the banjo though. Different attack, different response.
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alurker
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Post by alurker »

Those Black Ravens look good. I will see if I can track some down as part of my eternal quest for the perfect pick.
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