Talmadge High D Review
Posted: Sat Jul 19, 2014 10:46 am
I'm somewhat amazed that Talmadge Whistles only get two passing mentions in the forums but, curious, I checked out their website and feedback (http://www.talmadgewhistles.com/?page=Feedback), especially that by L. E. McCullough . . . and was curiouser still. Since my wife was spending five weeks in the US and could save me substantial postage and import duty by bringing one back with her, I decided it was a good opportunity.
Today I've had my first chance to try it it out at length . . . and am impressed. To begin with, Noah Talmadge makes something of an art of presentation, the whistle packaged in a wide diameter cardboard tube inside a softly-lined linen bag and accompanied by a cleaning cloth and stick of joint grease as well as some business cards. I mention all because the already apparent care in his presentation is also to be found in the whistle . . . . which is something of a work of art. The aluminium tube (of a thickness comparable with a Goldie, I suspect) decorated with a brass ring at its base and inlaid brass dots along the back, has the nicest of brass tuning slides, firmly in place but easy and smooth to move. The holes are comfortable and on the largish side making for easier slides and half-holing. The very comfortable fipple is mainly Delrin, though I'm not sure about the black underside. On the underside of tube above the slide, Noah's logo is stamped into the aluminium and TW 055 is etched alongside, the only sign of it being handmade. The quality of manufacture and finish is very high.
All well and good . . . but what does it sound and play like? It has a strong clear tone, rich, deep and mellow. It requires very little breath, so may not be great for a complete beginner. I went to it from playing a hard blowing Low D, so it was quite a contrast, but when I realised how it needed to be played, it was very easy to play, almost effortless. Louder than I expected for the amount of air it needed, every note rings out clear and true (including Cnat which to my ears was spot on with OXXOOO) and I found no evidence of the shrillness that many high whistles exhibit in the second octave. In fact the high notes had a beautiful bell-like quality. Check out the samples at http://www.talmadgewhistles.com/?page=Media especially the third.
For someone who prefers low whistles, but occasionally likes to play high, I really like this whistle and much prefer it to the Sindt I owned, both for tone and feel/playability. I also own a much-loved Lofgren High D that plays and sounds very different. Right now, if I had to, I would be hard pressed to choose between them. But I'm VERY impressed by Noah's work.
L. E. McCullough's comments say it all: "I finally got the chance to really play your high D whistle. Wow... wow... woWWWWW!!! Am I dreaming? I mean, it really SOUNDS GOODD!!! I don't have anything bad to say about it at all. It's got a good robust sound. It is outstanding!"
Nuff said!!
![Image](http://i61.tinypic.com/b9go4w.jpg)
Today I've had my first chance to try it it out at length . . . and am impressed. To begin with, Noah Talmadge makes something of an art of presentation, the whistle packaged in a wide diameter cardboard tube inside a softly-lined linen bag and accompanied by a cleaning cloth and stick of joint grease as well as some business cards. I mention all because the already apparent care in his presentation is also to be found in the whistle . . . . which is something of a work of art. The aluminium tube (of a thickness comparable with a Goldie, I suspect) decorated with a brass ring at its base and inlaid brass dots along the back, has the nicest of brass tuning slides, firmly in place but easy and smooth to move. The holes are comfortable and on the largish side making for easier slides and half-holing. The very comfortable fipple is mainly Delrin, though I'm not sure about the black underside. On the underside of tube above the slide, Noah's logo is stamped into the aluminium and TW 055 is etched alongside, the only sign of it being handmade. The quality of manufacture and finish is very high.
All well and good . . . but what does it sound and play like? It has a strong clear tone, rich, deep and mellow. It requires very little breath, so may not be great for a complete beginner. I went to it from playing a hard blowing Low D, so it was quite a contrast, but when I realised how it needed to be played, it was very easy to play, almost effortless. Louder than I expected for the amount of air it needed, every note rings out clear and true (including Cnat which to my ears was spot on with OXXOOO) and I found no evidence of the shrillness that many high whistles exhibit in the second octave. In fact the high notes had a beautiful bell-like quality. Check out the samples at http://www.talmadgewhistles.com/?page=Media especially the third.
For someone who prefers low whistles, but occasionally likes to play high, I really like this whistle and much prefer it to the Sindt I owned, both for tone and feel/playability. I also own a much-loved Lofgren High D that plays and sounds very different. Right now, if I had to, I would be hard pressed to choose between them. But I'm VERY impressed by Noah's work.
L. E. McCullough's comments say it all: "I finally got the chance to really play your high D whistle. Wow... wow... woWWWWW!!! Am I dreaming? I mean, it really SOUNDS GOODD!!! I don't have anything bad to say about it at all. It's got a good robust sound. It is outstanding!"
Nuff said!!
![Image](http://i61.tinypic.com/b9go4w.jpg)