I need a whistle in the key of B for a recording session, anybody know where I might find one?

Thanks,
-Neil

I can recommend iMpempe from yer man in South Africa, Ian Turnbull. I have whistles from Bb - E by him and i love them all!

_________________
the artist formerly known as Mr_Blackwood

Chop the top and bottom off a Generation Bflat and you're flying.

_________________
My brain hurts

Depending on the sound you're looking for and the kind of post-production equipment, a Susato Kildare might be what you're looking for. They are excellent whistles to play and are very well-tuned. The one problem I've had with them is that they're difficult to mic well. They sound much more plastic-y when recording a standard stereo field, so you'll want to mic it individually and mess with the EQ in post to get it to sound like it does to your ears.

http://www.susato.com/konakart/SelectCat.do;jsessionid=7ABFE5E72EFB52A615748A3ED2697999?catId=144&prodsFound=73&category=Kildare#-L-Series might fu

@Mr.Gumby: I bet that'll be really helpful to him.

I have one of those Susatos in B and it is a pretty nice whistle, IMO possibly the best of the Susatos that I have tried is the B nat. Mellower than the D but still enough volume to hold its own. If you have the money there is Burke as well, I had a friend back in Dublin who had a Burke B and it was a very nice whistle as well. If you have even more money there is Abell but you may not have time as I think he's got a waiting list. You may be able to find a Chieftain in that key too as well as an Overton and/or Goldie but these may not be available off-the-shelf either a new Goldie certainly won't be. There are plenty of options, what price range are you looking at? Do you have a preferred material? Tunable or not? Do you need it ASAP or would you be willing to wait?

_________________
Avery LeVine
twitter
YouTube

And why wouldn't it be? Instructions how to do it have been posted here in the past.

Saw Ronan Browne do it just before a gig recently too. Not a bother. It's the cheapest and easiest accessible way.

_________________
My brain hurts

i too have had a susato B; thought it was quite nice. but the best i've played in B is a Tommy Dion out of olive wood. lovely.

Tommy Dion made for me a lovely B recently.

Reach out to him. He's a good guy to deal with.

ecohawk

_________________
"Never get one of those cheap tin whistles. It leads to much harder drugs like pipes and flutes." - anon

Thanks for all the responses folks! @Avery: looking in the $100 range, its for one recording session so didn't want to get too crazy. Timing is flexible. I'm not the one playing it, just the music director who would like to hear it on the tune so @Gumby, I don't have any to slice up. The musician we were thinking of going with advises tunable and to try to find one that's not too breathy.

So, let me put another option out there - does anyone who currently has a good B whistle have a good home studio they might be able to record a few lines in?

Thanks again,
-Neil

I have an A recorder (prewar German one), which can play pretty near anything you'd want to play on a B whistle.

I don't have good recording gear but I'm near Edinburgh if that's any good to you.

_________________
http://www.campin.me.uk

Sounds like the Susato would fit the bill under $100 and not too breathy. Some other options maybe Daniel Bingamon and Syn which will both be more than the Susato. Of the two I personally prefer the Syns but that is just my own prference; to be honest I'm not sure if they are still under $100 but when I bought a Syn set years ago it wasn't much more than $100 for a bunch of different keys.

_________________
Avery LeVine
twitter
YouTube

Right, here's a "how-to" from an older thread.


What do you have in mind? Details would be interesting to hear as a bit of motivation. Timeline? What's the music?

I've got a couple B whistles (they are not available as rentals or for sale). Whistles in B and E are often called for in song accompaniment. I've got a studio (kind of apart at the moment - new computer). Tell us more.

Feadoggie

_________________
I've proven who I am so many times, the magnetic strips worn thin.

@Feadoggie - shoot me an email and I'll send you the tune and details

Cheers,
-Neil
keymacn at yahoo.com

For raising a Generation a semitone (Bb to B, C to C#) I have done it as follows, with very good results

1) chop the tube at the top until the upper hand plays in tune at the new target pitch
2) chop the bottom until the bellnote and octave of the bellnote (the notes that would be Bottom D and Middle D on a D whistle) are in tune to the new target pitch
3) you will now find that the notes emitting from Hole 6 and Hole 5 (the notes that would be E and F# on a D whistle)are too flat, and have to be carved out

all of this can be clearly seen in this photo, of Generations in A, Bb, B, C, C#, D, etc. All play very well in tune and have been used in numerous session gigs.

(The B is nickel with a "9" sticker)

_________________
Richard Cook
1978 Quinn uilleann pipes
1945 Starck Highland pipes
Goldie Low D whistle

That's interesting. I think I'll try it on my Gen Eb, since I've wanting a good E whistle.