carbony high-D whistle

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derflautemeister
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carbony high-D whistle

Post by derflautemeister »

anyone else here have a carbony whistle of any key? i absolutely love mine. in my opinion it is a very serious competitor to the burke line. if for no other reason than the fact that it's all but indestructable. sure its not as loud, but its tuneable and super light. plus it takes almost no air, making the register changes effortless. its the first whistle ive ever gotten three full octaves out of. what do you all think?
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Re: carbony high-D whistle

Post by Byll »

Three - full - octaves... I am in awe. That would take you to the upper-most note of a piano - or one note beyond, depending on how one is calculating... I did not know of any other instrument extant (except select pipe organs), that could create fundamental pitches that high.

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Re: carbony high-D whistle

Post by DrPhill »

Do you have a source of more information?

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Phill

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Re: carbony high-D whistle

Post by R Small »

A high D whistle with 3 octave range? Would you even be able hear the top notes?
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Steve Bliven
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Re: carbony high-D whistle

Post by Steve Bliven »

I thought three full octaves on a high D was against the Geneva Convention.... :boggle:

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Denny
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Re: carbony high-D whistle

Post by Denny »

too much third octave causes brain damage, doesn't it?
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Re: carbony high-D whistle

Post by MTGuru »

Really ... If you're going to experiment with the 3rd register of a high D, do so away from other people, and please wear hearing protection. That's what I think. :really:

Any decent D whistle is capable of playing up to 3rd register G - including Generation, Dixon Trad, Mellow Dog. It's far more a matter of technique than of the whistle. The only piece I've encountered that requires that range is the orchestral suite Pied Piper Fantasy by John Corigliano.

I played an early model of the Carbony high D, and found it had a sound and feel very much like a Clarke Meg or Sweetone. But it's possible the design and voicing has changed since then. I've also had some contact with Rob Gandara of Carbony, and he seems like a very decent guy with a particular vision for his whistles and flutes.

As with all things, let your taste, experience, and pocketbook be your guide.

P.S. Shouldn't it be derflaute(n)meister or derflötenmeister? :wink:
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derflautemeister
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Re: carbony high-D whistle

Post by derflautemeister »

haha, yes 3 registers really should be against the ganeva convention. my cats hate me now. i dont plan on doing it again. lol. and yeah, derflötenmeister is more correct isnt it.( my german isnt quite up to snuff. :lol:
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Re: carbony high-D whistle

Post by tommyk »

Is the Carbony whistle at all tunable?
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Re: carbony high-D whistle

Post by I.D.10-t »

The website and contact info is here.
http://www.carbony.com/Products.htm

Old thread this was said
viewtopic.php?f=1&t=54937&hilit=carbony ... e&start=15
robgandara wrote:it actually is tuneable there is no adhesive holding the mouthpiece on... a little warm water on the mouthpiece should loosen it up. the models I am building now have a dab of burts bees lip balm around the top to ease tuning.

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Re: carbony high-D whistle

Post by DrPhill »

I.D.10-t wrote:The website and contact info is here.
http://www.carbony.com/Products.htm
Thanks
Phill

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Re: carbony high-D whistle

Post by cavefish »

is it thick walled or thin
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I.D.10-t
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Re: carbony high-D whistle

Post by I.D.10-t »

I have never seen one but...

http://www.carbony.com/Products.htm
The thin wall process of our tapered whistle design gives incredible response of the lower octave.
What that means for carbon fiber I don't know. Thicker than metal, thinner than plastic? I have never seen one.
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Re: carbony high-D whistle

Post by MTGuru »

I'd say it seems thinner than rolled sheet or metal tubing, though I didn't actually measure it. And very lightweight, almost disconcertingly at first.
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carbony high-D whistle

Post by bfloyd6969 »

MTGuru wrote:I played an early model of the Carbony high D, and found it had a sound and feel very much like a Clarke Meg or Sweetone. But it's possible the design and voicing has changed since then. I've also had some contact with Rob Gandara of Carbony, and he seems like a very decent guy with a particular vision for his whistles and flutes.
Yes, it appears that the design has changed. I played one of the early version as well, only a couple years back, and it had the Copeland designed mouthpiece which is very, very similar to the Sweetone mouthpiece. I liked it. However, I just hopped over to the Carbony site and it appears to have a newly designed mouthpiece, and the price almost doubled. When I was going to buy one of the older designs they were about $75. The new ones are about $155...

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