4 major factors come into play with regards to volume and brightness of tone with regards to how the body plays a part: Bore surface smoothness, bore surface hardness, density of the tube material, and thickness is of the tube material.Tunborough wrote: ↑Mon Dec 27, 2021 10:13 am If nickel-plated brass sounds more like nickel than brass that suggests surface finish makes most or all of the difference.
The vibrating air column inside the body tube interacts with that tube. The more of the vibrational energy the tube absorbs from the vibrating air column, the lower the volume and less bright the tone. Conversely, the more reflective the tube, the brighter and louder the result.
All other things being equal, brass alone is less reflective than nickel plated brass: The plating adds mass to the tube, and stiffens it, both of which cause the vibrating air inside the tube to be less able to transfer vibrational energy to the tube.
We already have plenty of metal lined, half-lined, and unlined headjoints to test this out, and have done so, as stated in a previous post.Unfortunately, I don't think it's feasible to make a maple flute with a blackwood veneer lining to test that out.
Excellent point.Another consideration: some people are allergic to nickel. Not as common as wood allergies, perhaps, but it exists.