MichaelRS wrote:So what I'm hearing from a lot of responses to my posts and reading other post is that if one is going to pick a whistle from either Generations or Waltons or Feadog, it's really half a dozen of one or six of the other in most cases because they're all pretty much the same level of quality control and playability... at least when it comes to the high D & C whistles.
And picking either brass or nickel does not make a REAL difference because the nickel is only thinly nickel-plated brass.
Have I got those two points about right? Or is there somebody that happens to excel between those three in a particular offering or another? Or if not Excel then one that does whatever the opposite of excel is in a certain area from the others.
Hi Michael.
I would have thought they were all identical, pretty much, but...
The other day I happened to be left alone with a few dozen boxes of whistles -- Generation, Walton, Feadog, Clarke and Schilling. Naturally, I tooted out a few carols on quite a few of them. To my surprise, there were fairly well defined differences...
The Clarkes of course were conical and sounded like Clarkes. Never mind that.
The Schillings were abso-freaking-lutely horrible. Where possible, I filed away a few of the more egregious defects out of the kindness of my heart but most of them remained barely playable. There were a few other 'lesser' brands that were almost equally horrible. Really horrible. If some luckless child got one in their stocking, they'd give up trying to play it in half an hour.
Now for the others:
There were a bunch called 'Feadog Pro D' that were head and shoulders above the others in the lower octave, and also (for some odd reason) quite a bit heavier than any others. They were a bit finnicky in the upper octave (then again, I can't really play, so I'm sure it would have been fine for anyone else).
The regular Feadogs were good.
The Generations varied -- I picked a few different ones out and for a terrible player like me, there were definitely quite a few that were hard to play. Then again, there were many that were fine. The lower octave was not as lovely as those Pro Ds.
The Waltons varied a little more -- many were fine, but many had feeble bottom notes, or were just generally hard to avoid squeaking on.
After a couple of hours, I had formed about the following scores in my mind:
Feadog Pro D 9/10
Feadog 8/10
Generation 7/10
Waltons 6.8/10
Disclaimer: I'm no whistle guru, and maybe some of these boxes happened to be from good or bad production runs.
Considering that we're talking about a world in which everything is well under 10 pounds, I see no reason not to go Feadog Pro all the way. Except that I already have several whistles, like everyone else here