Bass Dreams
Posted: Mon Sep 03, 2018 11:19 am
About a year ago Talbert St. Claire contacted me about a Low A whistle I had. It was a whistle he'd owned previously and he was looking for a Low A for a project he was working on. I told him he was welcome to use the whistle for as long as he needed it.
As a result of this loan, Talbert was nice enough to send me a copy of the album he produced, a two CD set which he titled Bass Dreams.
I've never reviewed an album before and don't really have any credentials to make my opinion worth more than anyone else's. I also have no financial interest in the project but I wanted to give Talbert some props for putting this collection together.
Talbert put together a remarkable set of musicians for this project and features them liberally throughout the albums not only in conjunction with own whistling but also with a number of solo tracts. Fiddler Natalie Padilla does a stellar job on fiddle and mandolin and Megan Yalkut plays sarod and harmonium on a number of tracts. Yeah...fiddle and sarod. Did I mention the album is eclectic and diverse? Talbert moves from meditative aboriginal themes with digeridoos or African drums, to Asian-inspired tunes paired with a sarod to "pure drop" irish classics in company with Natalie Padilla's fiddle. There is even some African Kora harp nicely played by Joshua Doughty. Talbert's playing is excellent. He manages these monster bass whistles with a nimbleness that belies their size and stretch.
Bass Dreams is well worth the listen. I like seeing the Irish whistle being used in other musical genres. As more cultures and genres adopt the instrument, more people will be inclined to explore its original roots and traditional Irish music will only be strengthened.
Anyway, give it a listen. I think you'll like it.
Doc Jones
As a result of this loan, Talbert was nice enough to send me a copy of the album he produced, a two CD set which he titled Bass Dreams.
I've never reviewed an album before and don't really have any credentials to make my opinion worth more than anyone else's. I also have no financial interest in the project but I wanted to give Talbert some props for putting this collection together.
Talbert put together a remarkable set of musicians for this project and features them liberally throughout the albums not only in conjunction with own whistling but also with a number of solo tracts. Fiddler Natalie Padilla does a stellar job on fiddle and mandolin and Megan Yalkut plays sarod and harmonium on a number of tracts. Yeah...fiddle and sarod. Did I mention the album is eclectic and diverse? Talbert moves from meditative aboriginal themes with digeridoos or African drums, to Asian-inspired tunes paired with a sarod to "pure drop" irish classics in company with Natalie Padilla's fiddle. There is even some African Kora harp nicely played by Joshua Doughty. Talbert's playing is excellent. He manages these monster bass whistles with a nimbleness that belies their size and stretch.
Bass Dreams is well worth the listen. I like seeing the Irish whistle being used in other musical genres. As more cultures and genres adopt the instrument, more people will be inclined to explore its original roots and traditional Irish music will only be strengthened.
Anyway, give it a listen. I think you'll like it.
Doc Jones