Re: Whistles with recorder holes?
Posted: Fri Jan 05, 2018 8:22 pm
At the outset, I want to thank every one here who has contributed and responded. There have been very many helpful answers, often thought provoking.
I think it might help if I said more about my intentions and moderate perceptions of what I hope to achieve with a metal recorder? First, let me say that I do not play "period" music on my recorders. No Handel. Maybe some Bach as a warm up. But by and large it's Tell Me Ma, theme from Local Hero, Battle Cry of Freedom, One Less Bell to Answer. SOME pieces I play I am sure would sound better on metal than wood: Flowers of Edinburgh, for instance, although it can be tricky with the forked fingering. I have NO DOUBT that Hard Times or Gile Mear will sound better on metal than on wood. But I've learned all my ornamentations on recorder fingering, and that's why I'm pursuing this question.
The two voices thing: standard recorders come in C's and F's. And yes, you can play in all keys on either a C or an F, but because of where a song is written to begin, if I want to play it in its written key, I am best off choosing one or the other and transposing in my head. The last movement of Beethoven's 5th is an easy example: it's in C major, and opens up with a C triad (C, E, G) but has some notes significantly below the starting C, and for that you'd want an F recorder, and start with the C note where the first three holes on the left hand are covered. It's for this reason that I said two voices: to play a song/melody in its actual key, a different voice may be more appropriate.
I know that even if I settle on a metal recorder, that's not going to be the answer to everything. Some music is practically impossible on these instruments, and you can lose decades and alienate neighbors trying to play Bach's harpsichord melodies on these things. There are limits to their versatility.
But I am really sure that the Local Hero theme will sound better on a metal recorder than it will on a rosewood one.
I think it might help if I said more about my intentions and moderate perceptions of what I hope to achieve with a metal recorder? First, let me say that I do not play "period" music on my recorders. No Handel. Maybe some Bach as a warm up. But by and large it's Tell Me Ma, theme from Local Hero, Battle Cry of Freedom, One Less Bell to Answer. SOME pieces I play I am sure would sound better on metal than wood: Flowers of Edinburgh, for instance, although it can be tricky with the forked fingering. I have NO DOUBT that Hard Times or Gile Mear will sound better on metal than on wood. But I've learned all my ornamentations on recorder fingering, and that's why I'm pursuing this question.
The two voices thing: standard recorders come in C's and F's. And yes, you can play in all keys on either a C or an F, but because of where a song is written to begin, if I want to play it in its written key, I am best off choosing one or the other and transposing in my head. The last movement of Beethoven's 5th is an easy example: it's in C major, and opens up with a C triad (C, E, G) but has some notes significantly below the starting C, and for that you'd want an F recorder, and start with the C note where the first three holes on the left hand are covered. It's for this reason that I said two voices: to play a song/melody in its actual key, a different voice may be more appropriate.
I know that even if I settle on a metal recorder, that's not going to be the answer to everything. Some music is practically impossible on these instruments, and you can lose decades and alienate neighbors trying to play Bach's harpsichord melodies on these things. There are limits to their versatility.
But I am really sure that the Local Hero theme will sound better on a metal recorder than it will on a rosewood one.